The creative core of MadShag, flung far and wide up and down the Eastern Seaboard, reunited today in New York City for a day of pre-planning and holiday cheer. The designers, the directors, and the stage managers who will create Angels in America: Part Two: Perestroika next July had their first big meeting, and started to hash out details. There's a lot MORE to figure out, and critical questions remain unanswered...but at least we're started.
We also had the first discussion for Dragging The Day (Behind You), our first original piece since Stealing Pears in 2004. There's a lot of excitement about the ideas that make up the foundation for the project, and of course we're excited about possibly returning to Europe in 2008 and have our first through-composed piece by company member Chris Meade. But we should have a rehearsal or two first before we get all excited. ;-)
And finally, most of us ended the day by doing something completely unexpected for an experimental performance ensemble...we went to a Broadway show. The Sunday matinee of The Little Dog Laughed, to be specific, which was as funny as could be. When I grow up, I want to be Julie White.
We also had the first discussion for Dragging The Day (Behind You), our first original piece since Stealing Pears in 2004. There's a lot of excitement about the ideas that make up the foundation for the project, and of course we're excited about possibly returning to Europe in 2008 and have our first through-composed piece by company member Chris Meade. But we should have a rehearsal or two first before we get all excited. ;-)
And finally, most of us ended the day by doing something completely unexpected for an experimental performance ensemble...we went to a Broadway show. The Sunday matinee of The Little Dog Laughed, to be specific, which was as funny as could be. When I grow up, I want to be Julie White.
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